oratorio

Pot-washers and pole-dancers

12 February 2022 9:00 am

The Royal Opera has come over all baroque. In the Linbury Theatre, they’re hosting Irish National Opera’s production of Vivaldi’s…

Holy maximalism

6 February 2021 9:00 am

The two most depressing words in contemporary classical music? That’s easy: holy minimalism. I know, I know. Lots of people…

Like a prayer

11 April 2020 9:00 am

In the autumn of 1632, a man called Kaspar Schisler returned home to the small Bavarian town of Oberammergau. He…

Why did Parry’s Judith vanish?

13 April 2019 9:00 am

‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…

Time to end authenticity

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

Myth-making

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

Whose opera is it anyway?

23 April 2016 9:00 am

Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…

The erotic Mary, left, by Gregor Erhart (c.1515–20) and the penitent Mary, right, by El Greco (c.1577)

There’s something about Mary

22 November 2014 9:00 am

A bogus history book and a new oratorio turn Mary Magdalene into the wife of Jesus and a human rights activist. Damian Thompson feels sorry for the poor woman