Monet
Roman Polanski ruined my hair
The Prom was Berlioz and Strauss, but the Albert Hall is always the star for me. It is a lover’s…
The making of Van Gogh as an artist came at a terrible cost
In the manic years 1886-88 when he lived with his brother in Paris, Vincent worked at fever-pitch, exhausting himself and Theo and driving them both towards insanity
Fog, tea and full English breakfasts: Monet and London, at the Courtauld, reviewed
For the maids on the top floors of the Savoy, everything was in turmoil. The 6th had been commandeered by…
Impressionism is 150 years old – this is the anniversary show to see
The time that elapsed between the fall of the Paris Commune and the opening of the first proper impressionist exhibition…
The splendour and squalor of Venice
In his celebration of Venetian art, Martin Gayford is keenly alert to the city’s spectacular contradictions
The art of the monarchy
Michael Hall on how the Queen made her mark on the Royal Collection
…and of looking at real pictures again
One Sunday evening in the autumn of 1888 Vincent van Gogh and Paul Gauguin went for a walk. They headed…
Small wonder
John Constable’s paintings of a tiny corner of rural Suffolk teach us to see the beauty on our doorstep, says Martin Gayford
‘I think I’ve found a real paradise’
Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist
The public are quite right to love Monet
Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…
London calling
Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…
Show me the Monet
Philip Larkin once remarked that Art Tatum, a jazz musician given to ornate, multi-noted flourishes on the keyboard, reminded him…
Best in show
Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year
Seeing the light
Martin Gayford talks to the artist James Turrell, who has lit up Houghton Hall like a baroque firework display
Eastern reflections
In his introductory remarks to the Afro–Eurasian Eclipse, one of his later suites for jazz orchestra, Duke Ellington remarked —…
Monet maker
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
Snow men
In owning a flock of artificial sheep, Joseph Farquharson must have been unusual among Highland lairds a century ago. His…
‘Draw lines, young man’
Lucian Freud once said that ‘being able to draw well is the hardest thing — far harder than painting, as…
























