Manet
Why was this fêted Mexican painter left out of the canon?
Think of a Mexican painting, and chances are you’ll conjure up an image of an eyebrow-knitted Frida Kahlo, or a…
The art of sexual innuendo
Paula Rego’s 2021 retrospective at Tate Britain demonstrated that, among art critics, ambiguity is still highly prized as a measure…
The greatest paintings are always full of important unimportant things
Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection, at the Courtauld, consists of a selection of 25 absorbing paintings…
Impressionism is 150 years old – this is the anniversary show to see
The time that elapsed between the fall of the Paris Commune and the opening of the first proper impressionist exhibition…
Surreal visions: the best of this year’s art books reviewed
Subjects include Anna Atkins’s cyanotypes, Leonora Carrington’s paintings, Albrecht Dürer’s dreams and the photographs of Lee Miller
Cutting edge
There’s a nice irony to the title Salon Paintings when the salon in question is a barbershop, an irony that…
Shock and awe
‘Astonish me!’ was the celebrated demand that the impresario Sergei Diaghilev made of Jean Cocteau when he was devising Erik…
Staring back at Suzon
In this arresting debut novel we follow 26-year-old Eve as she tries to come to terms with the loss of…
Looking as haggling
Two markers: ‘Cottages at Auvers-sur-Oise’ (c.1873) is a sweet especial rural scene of faintly slovenly thatched cottages with, at its…
Bring me my spear
Manet’s ‘Botte d’asperges’ are probably the most famous asparagus in the world. The artist painted the delicious white- and lilac-tinged…
No masterpieces but there are beautiful touches: Félix Vallotton at the RA reviewed
Félix Vallotton (1865–1925) was a member of the Nabis (the Prophets), a problematically loose agglomeration of painters, inspired by Gauguin…
The spaces in between
An unfinished painting can provide a startling glimpse of the artist at work. But the common tendency to prefer it to a finished work is being taken to extremes, says Philip Hensher
Show me the Monet
Philip Larkin once remarked that Art Tatum, a jazz musician given to ornate, multi-noted flourishes on the keyboard, reminded him…
Touchy-feely – not
‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…
A 50-year infatuation
The subject of the least characteristic essay in this engrossing collection of meditations on painters, painters’ lives, painting and reactions…
A feast for the eyes
Tourists are attracted to queues, art lovers to quietude. So while the mass of Monet fans visiting Paris line up…
