Classical
The rise of cringe
No one wrote programme notes quite like the English experimentalist John White. ‘This music is top-quality trash,’ proclaims his 1993…
The excruciating tedium of John Tavener
The Edinburgh International Festival opened with John Tavener’s The Veil of the Temple, and I wish it hadn’t. Not that…
Three cheers for the Three Choirs Festival
The Welsh composer William Mathias died in 1992, aged 57. I was a teenager at the time, and the loss…
Alfred Brendel was peerless – but he wasn’t universally loved
In middle age Alfred Brendel looked disconcertingly like Eric Morecambe – but, unlike the comedian in his legendary encounter with…
Astonishing ‘lost tapes’ from a piano great
These days the heart sinks when Deutsche Grammophon announces its new releases. I still shudder at the memory of Lang…
Poulenc’s Stabat Mater – sacred, fervent and always on the verge of breaking into giggles
It’s funny what you see at orchestral concerts. See, that is, not just hear. If you weren’t in the hall…
The liberating, invigorating music of Pierre Boulez
‘When you’re not offensive in life, you obtain absolutely nothing,’ declares a twinkly-eyed Pierre Boulez in one of the archive…
The liberating force of musical modernism
It’s Arvo Part’s 90th birthday year, which is good news if you like your minimalism glum, low and very, very…
Splendid revival of an unsurpassed production: Royal Opera’s Turandot reviewed
Puccini’s Turandot is back at the Royal Opera in the 40-year old production by Andrei Serban and… well, guilty pleasure…
Barbara Hannigan needs to stop conducting while singing
Last week, Barbara Hannigan conducted the London Symphony Orchestra in Haydn, Roussel, Ravel and Britten, though to be honest she…
The filthy side of Dame Myra Hess
The photograph on the cover of Jessica Duchen’s magnificent new biography of Dame Myra Hess shows a statuesque lady sitting…
A dancing, weightless garland of gems: Stephen Hough’s piano concerto reviewed
Stephen Hough’s new piano concerto is called The World of Yesterday but its second ever performance offered a dispiriting glimpse…
How to write a piano concerto
My Piano Concerto, The World of Yesterday, began with an email during one of the darker days of the pandemic:…
Are these performances of the Bach cantatas the best on record?
Three projects shedding light on the sacred music of J.S. Bach are nearing completion. The first consists of an epic…
Opera North’s Flying Dutchman scores a full house in cliché bingo
The overture to The Flying Dutchman opens at gale force. There’s nothing like it; Mendelssohn and Berlioz both painted orchestral…
Classical music has much to learn from Liverpool
They do things their own way in Liverpool; they always have. In 1997 the Royal Liverpool Philharmonic Orchestra launched a…
The stupidity of the classical piano trio
It’s a right mess, the classical piano trio; the unintended consequence of one of musical history’s more frustrating twists. When…
Our verdict on Pappano’s first months at the London Symphony Orchestra
Sir Antonio Pappano began 2024 as music director of the Royal Opera and ended as chief conductor of the London…
Carols are much weirder than we think
Why, my sharp-minded colleague Tom Utley once asked after a Telegraph Christmas Carol service, should anyone think God would abhor…
Vivid, noble and bouyant: AAM’s Messiah reviewed
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t…
Spellbinding: Herbert Blomstedt’s Mahler 9 reviewed
Ivor Cutler called silence the music of the cognoscenti. But there’s silence and there’s silence, and a regular concertgoer hears…
A lively and imaginative interpretation of an indestructible Britten opera
Scottish Opera’s new production of Albert Herring updates the action to 1990, and hey – remember 1990? No, not particularly,…
Schoenberg owes his survival to crime drama
George Gershwin once made a home movie of Arnold Schoenberg grinning in a suit on his tennis court in Beverly…
The BBC Singers Centenary Concert was toe-curling
When does a new opera enter the repertoire? Judith Weir’s Blond Eckbert has only had a couple of UK productions…
Heartfelt and thought-provoking: Eugene Onegin, at the Royal Opera, reviewed
The curtain is already up at the start of Ted Huffman’s new production of Eugene Onegin. The auditorium is lit…
