A son-et-lumière spectacular: The Chemical Brothers at the O2 Arena reviewed
How does one account for the phenomenon that is the Chemical Brothers, a quarter of a century on from their…
Rap that feels like a sociology lecture: Loyle Carner at Alexandra Palace reviewed
A few years ago, I asked the young American soul singer Leon Bridges — a latter-day Sam Cooke, with the…
Range and power – and amazingly she sang all her songs: Christina Aguilera at Wembley reviewed
In every respect bar its austere pews, the Union Chapel is one of the best venues in London: beautiful and…
Fascinating and compelling: Bruce Hornsby at Shepherd’s Bush Empire reviewed
In the unlikely event that Bruce Hornsby and Morten Harket, A-ha’s singer, ended up featuring in the Daily Mail for,…
Mick Hucknall on women, rejection and cultural appropriation
What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not…
The open-hearted loveliness of Hot Chip
Squeeze and Hot Chip are both great British pop groups. But they never defined a scene. Their ambitions extended further…
![Slowthai at the Brixton Academy. [Photo: Visionhaus]](https://spectator-australia-preprod.go-vip.net/wp-content/uploads/2019/10/Pop_1.jpg?w=410&h=275&crop=1)
Something great
Those who cherish the notion that the current prime minister really is ‘electoral Viagra’ should have paid a visit to…
At their best the Psychedelic Furs are fantastic
It’s amazing what the movies can do. In 1986, the John Hughes teen flick Pretty in Pink — the one…
An eight-year-old’s dream: Muse at the O2 reviewed
‘Butterflies and Hurricanes’ by Muse was on heavy rotation on MTV at a time, 15 years ago, when my infant…
The most exciting band I have seen for years and years: the Murder Capital reviewed
It’s entirely possible for a band to be quite the most brilliant thing in existence for the briefest of times,…
If you’re a white middle-aged male, Ramblin’ Man Fair is the festival for you
Last weekend, in a pleasant park outside Maidstone, a most unusual rock festival took place. For one thing, it was…
Why I’m done with Fleetwood Mac
There is something inexplicably exciting about pop’s notion of a ‘scene’: young musicians of similar outlooks drawn together by a…
David Coverdale, lead singer of Whitesnake, talks hair, love handles and ‘sexism’
‘Invest in your hair,’ advises David Coverdale, a man with a shag of the stuff glossier than a supermodel’s and…
Enveloping and gorgeous: Cate Le Bon reviewed
The last time Bikini Kill played in London was in a room that now serves as the restaurant of a…
Deeply unpleasant and thrilling: Viagra Boys make Primal Scream look antiseptic
May was a cruel month for those middle-aged liberals who treasure their old alternative rock heroes. There was Morrissey, appearing…
A very odd two hours: Sting and Shaggy reviewed
Many is the pop star who has craved gravitas. Only Sting, however, has pursued it by covering John Dowland on…
A Saturday-night variety show: Take That at the O2 reviewed
Being old is big business in live music nowadays, in a way it wasn’t even 25 years ago. When Take…
At her best Robyn is magical – but her contribution to pop is hardly unique
Last autumn, anyone who a) has an interest in pop music, and b) reads the weightier end of the press,…
The rise and rise of the holographic tour
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…
An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed
On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…
Terry Hall on depression, punch-ups and falling out of love with the Labour party
It was summer 1981, and the towns and cities of Britain were alight. There had been riots in Brixton, south…
As so often, teenage girls called this one right: The 1975 reviewed
The teenage girls are often right. They were right about Sinatra and they were right about Elvis. They were right…
Gary Kemp on pop, Pre-Raphaelites, politics and playing Pinter
The first thing Gary Kemp bought when Spandau Ballet started making money was a chair. He’s very proud of that…
Why David Byrne deserves every penny he makes from his tour
Let’s get the ‘was-it-good?’ stuff out of the way first. Yes, it was good. It was better than good. It…
No one would want this gig to be the final memory of them: Soft Cell at the O2 reviewed
When Soft Cell first appeared on Top of the Pops in summer 1981, miming along to their version of Gloria…
