Punchlines and punches
Regular filmgoers must be losing count of the Rabelaisian revelries they’ve been invited to of late. You may recognise the…
‘Do black movies really not sell?’
Don Cheadle talks to Jasper Rees about the long, hard road to bringing Miles Davis’s life to the big screen
Bitter sweet
The French master film-maker Jacques Audiard has never been anywhere near Hollywood plot school. His films contain gathering menace —…
The still point
Lewis Grassic Gibbon’s Sunset Song is the best-remembered title of a short career. Born in 1901, he was dead by…
The man who wouldn’t be king
Not that long ago the BBC trumpeted a new Stakhanovite project to big up the arts in its many and…
Hunted blows a fresh breeze through the stale world of reality TV
Television used to employ entertainers to entertain the public. Back then you could count the channels on the fingers of…
Speech impediment
Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…
There will be blood
Siena’s Palio is steeped in violence, bribery and corruption. But it matters to its people more than anything, says Jasper Rees
‘Shocking is too easy’
No one does transgression like the filmmaker John Waters. Jasper Rees talks to him about political correctness, post-ops and pubes
To the maddest max
No one goes slack-jawed in wonder at the movies any more. In our cyber-enabled times, kid designers can mega-pixelate any…
Rock bottom
The oeuvre of Chris Rock may not be fully known in this parish. He was the African-American stand-up who made…
Great Brittain
Jasper Rees talks to Shirley Williams about the forthcoming screen portrayal of her mother




















