‘I came, I saw, I scribbled’
Graeme Thomson talks to former Pogues frontman Shane MacGowan about his first art folio
Toxic testosterone
Squaring up to the prospect of a new Red Hot Chili Peppers album, I’m reminded of a vintage quote by…
Such sweet sorrow
We gathered on a freezing Sunday night, inside a barrel-vaulted church designed in the 1890s by Charles Rennie Mackintosh, to…
Mike Yarwood moment
Any artist who has habitually written or performed in character — from David Bowie to Lady Gaga — eventually arrives…
The potency of cheap music
Christmas: the most vulnerable time of the year. I heard ‘A Winter’s Tale’ by David Essex on the radio the…
The weird turned pro
Pop quiz time: which act was named Melody MakerGroup of the Year in 1975? The answer is not, as you…
‘Having the right answer is boring’
Graeme Thomson talks to the cult singer Joan Wasser about the robotic nature of pop, finding salvation in songwriting and Tony Allen
The death of the live album
Next week The The release The Comeback Special, a 24-track live album documenting the band’s concert at the Royal Albert…
The beautiful and damned
Nick Cave has always been drawn to parable and fable, but more than ever these days he is engaged in…
Another Albion
As August unwound, the EIF settled into the cavernous gazebo that is Edinburgh Park, and things began to loosen up.…
Happy cross-pollination
This year we must love Edinburgh for her soul rather than her looks. The EIF should be commended for making…
State of the union
Big Red Machine release their second album later this month. It’s a fine name for ten tonnes of agricultural apparatus…
The ghost in the corner of the room
Strange, really, that the scheduled output of traditional broadcasters became known as ‘terrestrial’ television, given that TV is an etheric…
Ska struck
When Trojan Records attempted to break into the United States music market in the early 1970s, it hit an insurmountable…
Still Can do
Krautrock pioneer Irmin Schmidt talks to Graeme Thomson about taking risks, playing badly and ignoring the Brits
A blast from the past
Halfway through what must count as one of the more esoteric quests, Jennifer Lucy Allan finds herself on a hill…
Off-the-peg ire
Over the decades, Van Morrison’s role within the tower of song has shifted from chief visionary officer to head of…
Women’s troubles
It has never been easy for women in the music industry. Once upon a time the evidence was largely anecdotal.…
It’s cool to spool
May the gods of Hiss and Compression bless Lou Ottens. As head of new product development at Phillips, the Dutch…
Sentimentality served junkie-style
The thing to remember about Chet Baker, an old acquaintance says of the errant jazz musician in Deep In A…
‘We knew there was greatness in these songs’
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
Potted herring and Lester Piggott
Q: ‘How would you define transcendence?’ A: ‘Well, how would you define it?’ I interviewed Van Morrison last year. (I’m…
Homage to Avalonia
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
The Peter Cook of pop
In 1992 Prince released a single called ‘My Name Is Prince’. On first hearing it seemed appropriately regal. Cocky, even.…
Doo-wop deity
He toured with Little Richard, sang with Van Morrison, inspired the Beatles and Paul Simon. Graeme Thomson talks to Dion, one of the last living links to the early days of street-corner rock ’n’ roll
